Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Thursday, May 31, 2012

Meet Joe Black - 1998

Meet Joe Black - 1998


Universal Pictures, City Light Films


Directed by Martin Brest


Cast:


Story: A wealthy and successful man, William Parrish is about to turn sixty five years old. But about a week before, he wakes suddenly in the middle of the night and feels a pain in his left arm. He rises to go to his bathroom to splash some water on his face, and he hears a voice whisper “yes”, but in spite of being startled, he returns to his bed. The next day in the office he feels a deep pain in his chest, and once again hears the voice whispering “yes”. That evening he hears it again, and the voice continues this time, saying he is standing at the front door to his penthouse and would someone please let him in. When he finally confronts the man whose voice he has been hearing, the man says he has been giving Bill the answer to his question. The question is “Am I going to die?”, and the voice providing the answer is Death's, who has come to offer Bill a deal. Death would like a tour of the living, and in exchange, he will grant Bill more time.

Review: Inspired by Death Takes A Holiday, a classic stage play that many of my generation read as teens for either English or Drama class in high school, this film marks, for me, the coming of age of Brad Pitt as an actor with depth. I know some people will point to A River Runs Through It, or even Seven Years In Tibet as the films where Brad showed true ability, but Death Takes a Holiday is a pivotal film where he has to reach into the unknown and his past to portray a “stranger in a strange land.” and he does it with a remarkable freshness and style. As an amateur actor, I know the importance of any production is to give the audience the illusion of the first time. Brad does that beautifully in this film.

Of course, it doesn't hurt that he is surrounded by an incredible cast, lead by the incomparable Anthony Hopkins. Jake Webber demonstrates his range as well, as do both Marcia Gay Harden and Jeffrey Tambor. Somewhere beyond perfect is Claire Forlani's portrayal of Susan Parrish, the younger daughter and medical resident who is attracted to Pitt's character, first in his portrayal of the young attorney freshly arrived in the big city, and then as Death personified in Joe Black.

The plot is straightforward, the photography exceptional (try filming a sex scene without revealing any body parts that shouldn't be seen), and the sets are exquisite examples of architecture. While certainly not an action film, the film moves forward briskly, without needless exposition or character development beyond what is needed. Rated PG-13, thanks to that incredible photography, this is a film for contemplation and reflection, and offers no religious allegories to good or evil. I own a copy, and I think it will be regarded as collectible.

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