Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Showing posts with label police. Show all posts
Showing posts with label police. Show all posts

Monday, March 26, 2012

Live Free or Die Hard - 2007

Live Free or Die Hard - 2007


Twentieth Century Fox Film Corporation, Dune Entertainment, Ingenious Film Partners


Directed by Len Wiseman


Cast:


Story: The FBI cyber security section is suddenly hacked. It is a momentary glitch, but the deputy director wants to find out what happened, so he tells his agents to get every known hacker capable of doing this and bring them in for questioning. Since they are spread out and the FBI lacks some local resources to bring them all in, the enlist the help of local agencies, including the NYPD. John McClane is in Rutgers, checking up on his daughter, who is currently not speaking with him (sort of a pattern with John and women in general), when he gets the call to go pick up young Matthew Farrell, a hacker in the general area. When he gets to Farrell's apartment, they are about to leave when gunfire erupts, aimed at Farrell. John manages to kill three of the bad guys and escape with Farrell, and heads to Washington DC to deliver the young hacker. When he gets there, he finds the FBI building has been evacuated due to an Anthrax alarm, and everything in the country run by computer is going haywire. They soon discover the source of the disaster, a disgruntled federal employee who has a plan to destroy the entire US monetary system as his revenge for his dismissal. Once again, John McClane must save the day using only his wits and the help of two unlikely sources, a computer hacker named Matt, and an underground cyberwarrior code named Warlock.

Review: Twelve years have passed and the franchise proves just as viable as it ever was. Talk about enduring star quality. Bruce Willis is just as flippant and entertaining as he was in Die Hard, still a cop, still in New York (although there was that brief stint in LA), and still fighting with the women in his family, this time with little Lucy Generro, who has grown into a very attractive young lady. The symmetry of the characters is perfect, and Wiseman certainly knew and understood the passion of the Die Hard films (at his age, he probably grew up watching them, he was 15 when the original came out). Justin Long portrays the cyber nerd Matt Farrell, and he does an excellent job in recreating the foil for McClane's character. Mary Elizabeth Winstead was certainly the right actress to portray McClane's daughter, as feisty and abrupt in the character as Willis. Timothy Olyphant is exceptional as the cyber genius whose knowledge of the computer systems in the government gives him the background to disrupt a nation. Cliff Curtis is great as the FBI Deputy Director of Cyber Security, and adds a wonderful facet to an otherwise typical role as the law enforcement officer who always seems to be at odds with McClane. Since John is more proactive, he is always a step behind, but at least he reacts more quickly once he sees the problem. The plot moves at lightning speed in this latest (last?) installment of the franchise, and the action is exceptional. Rated PG-13 for violence and a brief sexual situation, this film is a wild ride that keeps you on the edge of your seat. Absolutely collectible for the set, and for any fan of great action films.

Sunday, March 25, 2012

Die Hard with a Vengeance - 1995

Die Hard with a Vengeance - 1995


Cinergi Pictures Entertainment, Twentieth Century Fox Film Corporation


Directed by John McTiernan


Cast:


Story: A peaceful morning in New York City. That is until a bomb explodes and takes out a department store along the entire block, causing cars to be thrown into each other and lots of really pissed off New Yorkers. At headquarters, police are trying to coordinate clean up efforts when they get a call from “Simon” who wants to speak with John McClane. Our hero is currently on suspension, but not today. “Simon” informs Inspector Cobb if McClane is not available to play a game of Simon Says with him, he will continue to set off bombs in New York City. They locate McClane, attempt to sober him up, and leave him in the middle of Harlem for the first part of Simon's game. He is to stand in the middle of Harlem wearing a sandwich board and his underwear with the message “I Hate Niggers” on the board. Zeus Carver, a shop owner across the street from where he has been dropped, sees McClane and attempts to get him off the street before local black thugs notice the sign. An altercation does take place, but the two manage to commandeer a taxi and head back to police headquarters, where Simon informs them via telephone they will both be required to complete his game. Simon runs McClane and Carver all over town, apparently for no reason until the FBI tells McClane this is none other than Simon Gruber, the brother of Hans Gruber who McClane dropped off the Nakatomi tower. John figures this is a ruse, and works with the police and Zeus to thwart their efforts.

Review: YEAH! John McTiernan back at the helm. Not that Renny did a horrible job, but this Die Hard comes back to the energy level of the original. John and Holly are heading toward their inevitable divorce, John is back in New York, and now we introduce a couple of wild cards into the mix. Samuel L. Jackson plays Zeus Carver, a businessman in Harlem who does not like white people. Jeremy Irons plays Simon Gruber, the brother of Hans using his desire to take revenge on McClane as an elaborate diversion from his real goal, a robbery of international proportions. Graham Greene and Colleen Camp add a nice flair with their roles, and Bruce gives us an interesting perspective on McClane's development. Like the previous two films, the action is non stop and the good guys prevail, but it is never that simple. There is always one more thing to do. Rated R for violence, language, and a brief passionate encounter. Collectible if you love Willis or just want to have the entire set.

Tuesday, March 13, 2012

The Son of No One - 2011

The Son of No One - 2011


Millennium Films, Nu Image Films, Hannibal Pictures


Directed by Dito Montiel


Cast:


Story: Jonathon White, the son of a police officer killed in the line of duty is raised in the Queensboro projects by his grandmother. His life is unbelievable hell, living in the midst of addicts and dealers and child molesters, and he is constantly in fear. In self defense, he kills a junkie who is stealing his grandmother's welfare checks, and when the dealer starts to kick his dog, he pushes him down the stairs and the dealer breaks his neck. Detective Stanford knows the truth, but also knows the circumstances and closes the cases as unsolved. Sixteen years later, he has chosen to join the police force and is assigned to the same precinct as he lived in when he grew up. Captain Mathers is just about to take over from now Captain Stanford, when letters begin to appear in a local paper accusing Stanford of concealing two murders in the projects. Pressure is brought to bear on White, who Mathers' suspects of writing the letters, but to further cover up the crime, Mathers and Stanford plot to kill a childhood friend of White's and frame him for the murders.

Review: When I watched this film, I was impressed with the acting, the plot, and the characters. What I was not impressed with was the film itself. The story is an impressive, courageous look at life in the projects, a place where we house the welfare cheats, drug dealers, and other scum of society in the hopes they will remain in the confines of their own jungle. Channing Tatum's character is a nice white boy growing up in a not-so-nice environment with little hope of surviving from day to day. Al Pacino is the cop who understands what kind of life the child lives, and when he sees the desperation of his existence, he covers the murders to protect the child. Ray Liotta is the personified vision of what most people believe NYPD is all about, a warden in the asylum, worried about nothing more than keeping his cops and his reputation alive. If the story had been told from front to back instead of jerking us back and forth in time, I think it would have merited a release to the big screen here in the US. As it is, the distributor was right in releasing this film in the overseas market and bringing it to the states in DVD release. With the exception of Katie Holmes, whose performance lacks the depth of emotion a police wife should have, the cast does an admirable job, and this film is worth a look. Rated R for violence, language, and a disturbing sex scene, this film is not collectible, and is certainly a second tier rental.

Wednesday, February 8, 2012

Demolition Man - 1993

Demolition Man - 1993


Warner Bros., Silver Pictures


Directed by Marco Brambilla


Cast:


Story: In the very near future, super criminal Simon Phoenix has taken a bus hostage in the war zone called Los Angeles, and only John Spartan, the Demolition Man, is brave enough to defy him. As he bungee jumps out of the helicopter onto Pheonix's stronghold, he gives his motto “Send a maniac to catch a maniac.”. But his nemesis has framed him for the murder of those passengers, and John is sentenced to 70 years in cryo-suspension, the prison of the day, where he will have his behavior modified by synaptic suggestion. In 2032, Simon Phoenix (who is also a cryo-prisoner), has been thawed for his parole hearing in the San Angeles metro complex prison. Suddenly he knows all the passwords, and how to work the computers that never existed when he was frozen. In order to catch the madman, they release John Spartan, who goes about catching Phoenix with all his training and cunning. Unknown to Spartan and the officers of the San Angeles Metro Complex, the “savior” of their community, Mr. Cocteau, has had Phoenix released for his own selfish purposes.

Review: This has got to be one of the funniest action adventure films ever released. And the beauty of it all is the seriousness with which the actors play their roles. Stallone and Snipes are two 20th century macho types in an Orwellian society where everything is monitored and the police are almost superfluous. Bullock is a radical thinker bored with her perfect society, and Leary is just trying to keep people alive...the people who decided they didn't want to be part of the Perfect society. Now it is worth remembering this film was one of the first shameless product promotion films, with Taco Bell being featured in the film as the only restaurant to survive the Franchise wars, whatever those were. I would classify it as a “pre-comic” movie, with all the trimmings...bad guys and good guys, technological oddities, and a lot of great lines. Worth seeing, PG-13 because of a few lines here and there and a couple of brief shots of nudity. Collectible if you like Stallone, otherwise rent it and return it.