Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Showing posts with label Keith David. Show all posts
Showing posts with label Keith David. Show all posts

Monday, March 19, 2012

The Chronicles of Riddick - 2004

The Chronicles of Riddick - 2004


Universal Pictures, Radar Pictures, One Race Productions


Directed by David Twohy


Cast:


Story: Riddick, the escaped murderer from the movie Pitch Black, is being pursued by mercenaries on an isolated planet. He avoids their attempt to capture him and instead strands the survivors on the planet to pursue the man who sent them: the Imam, one of the two others to escape the dark planet. When he finds him, he learns of the Necromancers, a race of conquerors traveling across the universe to convert all humanity to their faith. Riddick learns he is from the planet Furya, a planet already destroyed by the Necromancers. At first, Riddick is unwilling to get involved, but soon it becomes apparent he must fight or die. He allows himself to be captured by Mercs to rescue the girl Jack, now known as Kyra, from a maximum security prison, then returns to the planet to face the Lord Marshal to test their creedo: “You Keep What You Kill”.

Review: Once again Vin Diesel brings to life the vicious, calculating anti-hero Riddick, the convict who prefers to kill instead of negotiate. Riddick is living a life of arduous survival, preferring the isolation of the frozen planet to the company of humans. When he learns the Imam is the man who has set the bounty for him, he journeys to discover why. Keith David recreates the Imam from Pitch Black as if he had never left the role, and introduces us to Aereon, the elemental being in the form of Judi Dench, whose powerful acting and presence adds both drama and authenticity to the film. Nick Chinlund excels in a role custom made for him, and Colm Feore is magnificent as the Lord Marshal, the holy half-dead who has seen the Underverse. Linus Roache, in one of two films he has worked on with Diesel (the other, Find Me Guilty, perhaps led to his role as the Assistant DA on Law and Order), and while his role is not as big as I would have liked, his presence and eloquence as the Purifier adds significantly to the film. Karl Urban, who has appeared in other fantasy roles (Priest, Star Trek), presents a more powerful, controlled soldier of the faith, while Thandie Newton as his ambitious wife provides the right balance to the struggle for power within any authoritarian regime. Alexa Davalos is excellent as Kyra, defiant and deadly to the last. Even the extended version is rated PG-13 for language and violence, but little sexual content. Since Vin will be recreating Riddick in a third film next year, I would say this is a collectible if you are a fan of the first two, or just a fan of good science fiction.

Sunday, March 18, 2012

Pitch Black - 2000

Pitch Black - 2000


Polygram Filmed Entertainment, Interscope Communications


Directed by David Twohy


Cast:


Story: A space freighter is making a long haul, the crew and passengers in suspended animation, when disaster strikes. A meteor shower sends bullet sized fragments through the hull, waking the crew, or what's left of them. The captain is dead before he even leaves his chamber, and the second officer and docking pilot have to think fast to save their lives and the lives of the passengers. When it is over, only the docking pilot and a handful of passengers remain alive, and they are on a hostile planet with no apparent foliage or water, and three suns. One of the passengers is a murder on his way back to prison, the enigmatic Richard B. Riddick, another the bounty hunter bringing him back to prison. Riddick escapes his bonds and flees the company, but the others are more concerned with finding water and trying to find shelter. Zeke has taken upon himself the duty of burying the corpses they can find, but when he does he is attacked and killed by something. The blame immediately falls on Riddick, but when he is captured he denies killing Zeke. Soon the castaways discover a deserted mining camp with a shuttle they might be able to use for escape, but they also discover a horrifying secret. The planet is inhabited by creatures who can only hunt in darkness...and the planet is about to go into total eclipse.

Review: The plot in this film is pretty straight forward, and certainly not original in the scheme of science fiction. The characters are somewhat predictable, with the Imam leading and caring for his three teenaged followers on a great Hadj to New Mecca, the docking pilot having her first “command” thrust upon her, the bounty hunter a junkie hooked on pain killers, the entrepreneur who cares more about his cargo that the situation, a kid traveling alone, a provocatively beautiful woman who is apparently traveling for work, and a hard core killer with eyes that glow and the ability to see in the dark. Okay, so that last character isn't so predictable. As a matter of fact, Vin Diesel portrays a thinking killer who displays none of the classic psychotic behaviors we are used to in a “villain”. Instead, Riddick is a cold, calculating man who carefully reads the people around him. Radha Mitchell is excellent in her role, letting the inexperience of command shake her confidence while she attempts to lead the group into the right decisions. Keith David is the man of God, the man who always finds the hope in the situation and tries to encourage others to do the same. Cole Hauser is a perfect sociopath, coldly deciding who should be sacrificed as long as he survives. The film moves at a good pace, makes one or two logical flaws in the plot, but overall entertains and apparently creates a memorable character in the form of Riddick, who we see next in The Chronicles of Riddick, our next review. Rated R for violence and gore, and language, this film is collectible for Vin Diesel fans and anyone who likes good science fiction.