Sky Captain and the World of Tomorrow - 2004

 Paramount Pictures, Brooklyn Films II, Riff Raff Film Productions 

Directed by Kerry Conran

Cast:

Polly Perkins – Gwyneth Paltrow

Sky Captain – Jude Law

Dex – Giovanni Ribisi

Editor Paley – Michael Gambon

Mysterious Woman – Bai Ling

Kaji – Omid Djalili

Franky – Angelina Jolie

Story: In 1939, a top secret force commanded by Sky Captain is activated when Polly Perkins, a reporter, uncovers the systematic murders of top scientists from World War One. As she is tracking down leads, trying to find the killers, she is almost killed along with another scientist when a group of advanced robots descends on the city to locate two missing components in an evil plot that will destroy the world. Only Sky Captain and his elite forces, along with the aide of an elite British force led by Franky, can save the world from certain and complete destruction. But can they do it?

Review: Unfortunately, this film did not do well in the theaters. Which is a shame, because being an excellent film with superb graphics, it is also the forerunner of everything that has followed in Compter Generated Images (CGI).

Sky Captain was filmed entirely in blue screen. None of the sets existed except it the mind of the people doing the graphics. Which meant the actors had no frame of reference when they were performing. Oh, of course there were tape marks on the floor, but nothing to react to, nothing to walk around, nothing but a blank room with platforms where necessary to go up and down. Which means the actors had to envision the room as it might be and then respond without the aid of visual cues. Now, I don't know about you, but I would call that acting above and beyond the normal requirements. And the best part is, they all do it extremely well.

As to plot, considering the setting of the film, the plot is exactly as it should be. If this had been made in the 1950's, this film would have been a “Cliffhanger”, like Commando Cody or Flash Gordon used to be, a tool to get parents to drop their kids off at the local theater for Saturday morning matinees while they did their grocery shopping or other chores. I remember doing that while my mom was off grocery shopping, and my brother and I would sit for two or three hours watching cartoons and a couple of those films.

Still, there isn't a lot of action by comparison to what we expect from films these days, and the technology in the film is 'old school', so perhaps the current generation of film goers just didn't get it. I recommend the film as a great way to spend ninety six minutes when the kiddies are looking to see what the old world used to be like. Rated PG, collectible for us Sci Fi types. Enjoy.

The Adjustment Bureau -2011

Universal Pictures, Media Rights Capital, Gambit Pictures

Directed by George Nolfi

Cast:

David Norris – Matt Damon

Elise Sellas – Emily Blunt

Charlie Traynor – Michael Kelly

Harry Mitchell – Anthony Mackie

Richardson – John Slattery

Story : David Norris, a soon to be Senator from the State of New York, meets a lovely ballerina on a bus one day....and that meeting soon changes his life. He walks into his office to find a group of men in suits and hats doing 'something' to one of his staff members, and when he tries to run for help, he is unable to escape. They explain they are part of the Adjustment Bureau, a group of beings who work behind the scenes in history to keep mankind from destroying the planet. They also tell David he was not supposed to meet Elise, the dancer, and take her number away from him. They release him, and for three years he never sees her. Then, by chance on the same bus where they met three years ago, he meets her again. The Bureau has been watching, and when they discover he has found Emily, the set about trying to prevent them from getting together. But David and Elise are determined to meet, so David devises a plan to intervene and prevent the Bureau from their task.

Review: In case you are not aware of it, this makes Phillip K. Dick officially one of the most influential storytellers in the last 50 years. His books have inspired such Sci Fi classics as Blade Runner, Total Recall, Minority Report, and now, the Adjustment Bureau. At least 19 films and television episodes have been created from his works.

The story is an interesting take on the notion there is a God in the universe who is carefully directing the actions and happenings on the planet. Here, of course, the element of 'faith' is removed and instead the Chairman makes plans and has the Adjustment Bureau to make sure the plans are kept on track. These 'agents' merely interfere when they need to, making suggestions that set actions in place. Theology is not in the plan, just a pattern to prevent mankind from becoming extinct by their own hand.

This is a different type of Sci Fi film, and it would take an actor with the flexibility of Matt Damon to play David Norris. His confident yet humble portrayal of the politician is riveting and interesting throughout. Emily Blunt portrays the blossoming ballerina with verve and appeal, sort of a cross between the focused artist and the determined woman who puts her career ahead of herself. Anthony Mackie and John Slattery work well as the adjustment agents sent to sidetrack Norris from reaching Elise.

Overall, the film moves well, offers some interesting twists, and allows us the interesting perspective of predestination without the burden of deity. Rated PG-13 for language, some sexuality, and a few brief scenes of violence, I personally can't think of a single scene that would be too intense for a ten year old. Collectible is a little early to say, but certainly a film you will want to see again.

Out of Reach - 2004

Franchise Pictures, Epsilon Motion Pictures

Directed by Po-Chih Leong

William Lansing – Steven Seagal

Irena Morawska – Ida Nowakowska

Kasia Lato – Agnieszka Wagner

Faisal – Matt Schulze

Ibo – Krzysztof Pieczynski

Lewis Morton – Robbie Gee

Azimi – Murat Yilmaz

Mr. Elgin – Nick Brimble

Nikki – Jan Plazalski

Agent Shepherd – Shawn Lawrence

Rosie – Hanna Dunowska

Story: Vietnam veteran Billy Ray Lancing, a former CSA agent who now works on a wildlife refuge in Northern Alaska, has been exchanging letters in a pen-pal relationship with Irena Morawska, a 13-year-old orphaned girl in Poland that he's helping out financially. She is about to leave the orphanage on her 14th birthday. When the letters suddenly stop coming, Billy heads to Poland to figure out why -- only to discover that the orphanage that Irena was staying in, which is financed by honest -- and unsuspecting -- good-intentioned Samaritans, is a cover for a human trafficking network. Run by a man named Faisal, the operation is worth billions -- girls are sold and traded to the highest bidders from all over the world. Through Billy's letters to Irina, Billy has taught Irina how to use secret codes, which she uses to keep Billy updated on where Faisal is taking her to. That's how Billy stays on Faisal's trail as Billy teams up with local cop Kasia Lato to rescue Irina and the other girls...Written by Todd Baldridge (borrowed from IMVU)

Review: Steven Seagal is perhaps the King of the B films, but he is also a cause driven individual who likes to make films that center around real problems. Renowned for his ability as a martial artist and his “I don't take any $h!@ from anyone.” attitude, Seagal's films have unfortunately become formulaic and predictable.

Seagal plays the former agent who has become disenchanted with the agency (Which agency? Does it really matter?) Naturally, he is in the wilderness, this time on a wildlife preserve, and is sponsoring an orphaned girl in Poland. While there are some moments of emotion, most of the time Steven plays the role with a lack of luster and motivation, like he is tired of making the same film for the 100th time.

Matt Schulze is the one actor in the cast who stands out. His portrayal of Faisal, the operator of the human trafficking ring, is one dimensional, but its the right dimension. If you're going to be a bad guy, be a really bad guy. Nick Brimble's brief appearance is good, but Nick comes off as the man behind the scenes and his threat to Faisal lacks the true tone of contempt anyone would show for a man in that business.

Overall, the film is slow to the point of boredom, predictable as a clock, and just plain poorly done. Rated R for violence, language, and a few scenes in an upscale brothel. If you happen to see this one on the shelf at your local video store, I'd let it collect dust, unless you are a big fan of Seagal, and even then I would take a moment and think about it.

Suicide Kings - 1997

Artisan Entertainment

Directed by Peter O'Fallon

Cast:

Carlo Bartolucci / Charlie Barret – Christopher Walken

Lono Veccio – Denis Leary

Jennifer – Nina Siemaszko

Avery Chasten – Henry Thomas

Max Minot – Sean Patrick Flannery

Brett Campbell – Jay Mohr

T. K. - Jeremy Sisto

Ira Reder – Johnny Galecki

Lydia – Laura San Giacomo

Elise Chasten – Laura Harris

Story: Okay. So this well connected former mobster turned respectable citizen walks into his favorite bar at his favorite hotel and two well dressed punks are sitting at his reserved booth. Charlie Barret, formerly Carlo Bartolucci, turns to the bartender to see what's happening. The punks start to give the bartender some lip, so Charlie pops up and starts to be gracious when the punks, Avery Chasten and Max Minot, recognize him and begin to apologize and offer to buy him a drink. After a little encouragement, Charlie sits in the booth and joins them, and they are joined by their friend, Brett Campbell. The boys make a little small talk with Charlie, and then explain they are meeting Avery's father for dinner and invite him to join them. Since Avery's dad is a well connected financial adviser, Charlie agrees to join the three for dinner, but as they are driving along in Avery's mother's Mercedes, suddenly the boys in the back toss a strap around Charlie while one of them tries to subdue him with chloroform. Charlie is a former mob boss, and does not go quietly, but eventually they get him unconscious and drive him to the house of Ira Reder, a friend who has no idea what they had planned. When Charlie comes around, he is strapped to a chair, and his pinkie finger with his ring has been removed. Avery tells him his sister has been kidnapped, and the kidnappers have begun to send her back in pieces, and for every piece they get of the sister, Charlie is going to lose a piece unless he helps them recover Avery's sister.

Review: A couple of years back, I was looking through a copy of Maxim magazine and I found a list of 20 films saved by having Christopher Walken in them. As you have probably guessed, Suicide Kings was among the 20, actually, I believe it was number 3.

This was Peter O'Fallon's premiere film for the big screen (he has since made only one other, although he continues to direct numerous television series), and there are a lot of things that might have gone a little better. The dialog is weak in spots, the premise of a “made guy” going off with a bunch of preppy kids is a little off the wall, and the overall feel of the film drags from time to time. But that doesn't mean it is a total failure.

As a matter of fact, just the opposite. Needless to say Walken and Leary come off exceptionally well, and the remainder of the cast is believable. Johnny Galecki comes off as Johnny Galecki, which is to say his dialog and acting are better suited to his current role in Big Bang Theory than to the big screen. Jay Mohr, well, I never have like Mohr, so I can tell you his character is passable, but he never quite rises to the level needed for his part. Henry Thomas and Sean Patrick Flannery both give good performances, and are really the two character who draw your interest. Jeremy Sisto as the medical student tending to Walken is more than adequate to the role, and you can see the young actor's ability flourishing into the actor he has become.

As to the film itself, the plot, once you get past the implausible part, is good and moves pretty well, although there is a lot of exposition that seems pointless until you get to the very end. By then, unfortunately, you lose interest, unless you are a die hard Walken fan (guilty as charged).

Since I have the DVD (yes, I pulled it out of the bargain bin at WalMart), I've watched the alternative endings and listened to O'Fallon's comments, and the one that struck me the most was his comparison of the final scene of the film to one in The Usual Suspects. Hmmm. Not even close, Pete.

Rated R for violence, language, torture, and some nudity, this film is one you might want to rent just to see why television directors who are really good at their jobs should stick to television. Definitely a renter, not a keeper, and then only if you are interested in coming away with a very unsatisfied feeling from a movie.

Nick of Time - 1995

Paramount Pictures

Directed by John Badham

Cast:

• Gene Watson – Johnny Depp
• Lynn Watson – Courtney Chase
• Mr. Smith – Christopher Walken
• Huey – Charles S. Dutton
• Ms. Jones – Roma Maffia
• Gov. Eleanor Grant – Marsha Mason
• Brendan Grant – Peter Strauss
• Krista Brooks – Gloria Reuben
• Officer Trust – Bill Smitrovich

Story: Gene Watson is coming from San Diego on the train with his daughter, Lynn. He arrives in Los Angeles and is headed to an appointment when he and his daughter are stopped by two police officers as they are leaving the train station and asked to come with them. They get into a van, where the man tells Mr. Watson he has two choices, do what he is told or they will kill his daughter. The time is shortly after noon. Mr. Smith tells Mr. Watson to go to the Bonaventure Hotel and kill the Governor. He has until 1:30 p.m., or his daughter dies. While Mr. Watson tries to figure a way out of killing the Governor, he discovers there are more people involved than just the two people who have kidnapped him. The plot leads all the way to the Governor's husband.

Review: Johnny Depp as your average Joe C.P.A.? Naw, say it isn't so. Isn't this the guy who rose to fame with strange robotic blades for fingers, with an eye-patch and catchy phrases, with a reputation for playing the strange and unusual? Well, the role may not be strange or unusual, but the movie certainly is. For one thing, it is extremely rare for a 90 minute movie to actually happen in 90 minutes. But Nick of Time is about the occurrences in Gene Watson's life over a span of 90 minutes. Christopher Walken shines as the SOB cop/assassin who manipulates Depp's character, and Roma Maffia excels as his partner. I think the most interesting aspect of this film is combining two powerful character actors (Depp and Walken) across from each other. The action is fast and non-stop, and the tension builds throughout the film. When Depp finally finds help in the form of Charles S. Dutton, a shoe shine man in the lobby of the Bonaventure, the help comes in the strangest way. Rated R for violence and language, this is a interesting, breakneck paced film that keeps you on the edge of your seat from start to finish.

The Sum of All Fears - 2002

Paramount Pictures, Mace Neufeld Productions,MFP Munich Film Partners GmbH & Company I. Produktions KG

Directed by Phil Alden Robinson

Cast:

• Jack Ryan – Ben Affleck
• William Cabot – Morgan Freeman
• President Fowler – James Cromwell
• John Clark – Liev Schrieber
• NS Advisor Gene Revell – Bruce McGill
• President Nemerov – Ciaran Hinds
• Dr. Cathy Muller – Bridget Moynahan

Story: A young CIA analyst becomes embroiled in a conflict between the United States and Russia. Jack Ryan is the resident expert on the newly elected Russian President Nemerov, and is summoned by CIA director Cabot to provide background information. He accompanies Cabot to Moscow, and then joins him in a tour of a facility where nuclear warheads are being dismantled. Ryan's curiousity is peaked when he discovers three of the seventeen scientists who are supposed to be on duty at the facility are missing. The more he digs into this anomaly, the more he discovers, and he and his research team are the only people standing between World War Three.

Review: The fourth Tom Clancy novel to make it to the big screen, and the third actor to play Jack Ryan. This film falls short of expectations for several reasons. Since it is shot as a “prequel”of sorts to the previous films, Sum of all Fears seems somehow out of time with its predecessors. In this film, Jack Ryan is played by Ben Affleck, who is certainly no slouch in front of the camera. His portrayal of the the Clancy hero is good, and even meshes with the performance of Alec Baldwin in the first film of the series, Hunt for Red October. I guess my problem is Red October post dates Sum by a number of years, since in it Catherine and Jack are married with a daughter, yet the Soviets are still around. In Sum, Ryan and Cathy are still dating, only becoming engaged at the end of the film and the Soviet Union is long gone. From that standpoint alone, the timing is off sequence, which can make for a bit of a conflict for those of us who have read Clancy's novels, or seen the previous films. For the uninitiated, the film is terrific, and opens up the possibility of an entire new series (which was never pursued, apparently). Cromwell and Freeman are striking in their roles, as is Ciaran Hinds as the Russian President. The remaining cast, McGill, et. al., are intense when they need to be and absent when not needed. Which is the problem with a film like this, since you have so much action going on it is easy to get lost in it. Rated PG-13 for violence and language, the terrifying scene of a nuclear weapon going off in a crowded city is enough for all of us to consider whether or not to let the kids watch. Definitely not collectible, since the series was never continued and the film is out of sequence with the first three Clancy films. Rent it, don't buy it.

Kindergarten Cop - 1990

Imagine Entertainment, Universal Pictures

Directed by Ivan Reitman

Cast:

• Det. John Kimble – Arnold Schwarzenegger
• Joyce Palmeri – Penelope Ann Miller
• Det. Phoebe O'Hara – Pamela Reed
• Miss Schlowski – Linda Hunt
• Cullen Crisp, Sr. - Richard Tyson
• Eleanor Crisp – Carroll Baker
• Sylvester's Mom – Cathy Moriarty
• Samantha's Mom – Park Overall

Story: A hardcore narcotics detective and his partner go undercover to locate the runaway wife of a drug kingpin and their son in a rural Oregon town. Phoebe O'Hara is to substitute teach the kindergarten class while John Kimble looks around the town for clues. But on the night before they are to take their positions, O'Hara falls ill and Kimble is forced to fill the role as the teacher to the kindergarten class. Miss Schlowski looks on as the children run amok and Kimble almost loses his mind, but O'Hara saves the day, and by the end of the show the kids are loving their new teacher.

Review: Before this, I think everyone thought about Arnold as Conan or the Terminator. And you can hardly blame them. After all, Arnold is the muscular, imposing prototype for the majority of action heroes on the screen today. Even after Twins, Arnold had a lot of resistance to using him in non-action roles. But this role is the one that proved he could be funny and still make a great impresson on the audience and fans alike. Arnold is all the things any action hero would cringe at, polite, gentle, understanding, and even in touch with his feelings. Pamela Reed is the perfect foil for Arnold in this lighthearted comedy with a twist. Her presence on the screen provides just the right amount of pure comedy and tomfoolery to make the less than plausible scenes work. And as usual, she ends up with all the great lines. Penelope Ann Miller is, well, Penelope Ann Miller. Her role as the teacher across the hall from Arnold's class gives the two of them a few occasions to intermingle, but I think Reitman could have made a few more scenes work. Linda Hunt is absolutely delightful as the principal who looks on while this brooding hulk of a man tries to tame the wild children. Cathy Moriarity provides us with a look into the “single parent capital of the west”, and while her role is brief, her input and presence is remarkable. Overall, the film has a buoyancy that allows you to sit through the more placid moments and still want to stay in your seat to see what happens. The real stars are the kids, of course, and I would be remiss not to mention early appearances by Odette Yustman (now Annable), Adam Wylie, and Krystle and Tiffany Mataras, to mention just a few. Rated PG-13 for references to drugs, some language, and some violence, this film is a classic for the kids (I'd say 10 and up, but that is your call) and definitely a keeper for your collection.

Shooter - 2007

Paramount Pictures, Di Bonaventura Pictures, Grosvenor Park Impact Productions

Directed by Antoine Fuqua

Cast:

• Bob Lee Swagger – Mark Wahlberg
• Nick Memphis – Michael Pena
• Col. Isaac Johnson – Danny Glover
• Sarah Fenn – Kate Mara
• Jack Payne – Elias Koteas
• Alourdes Galindo – Rhona Mitra
• Michael Sandor – Rade Serbedzija
• Sen. Charles Meachem – Ned Beatty

Story: A Marine Sniper and his spotter are assigned to a covert operation with the CIA in Africa. As the team they are covering is withdrawing, they take out enemy targets, but they are much larger and better equipped than they were led to believe. During the battle, the spotter is killed, but the sniper, Sgt. Bob Lee Swagger, manages to escape without the support of the team in charge of the operation. Two weeks later, the CIA operative in charge suddenly disappears without a trace, and Swagger retires. Three years later, Swagger is living alone in the mountains, his only companion his dog. He gets a visit from Col. Johnson who wants Bob Lee to plan an assassination of the President in order to prevent the real thing from taking place, or so he is told. Systematically, Bob Lee is framed for the assassination of an African Archbishop who is on the dais with the President during a speech in Philadelphia, and he enlists the aid of his spotter's ex-wife and a suspended FBI agent to get to the bottom of the matter and prove his innocence.

Review: Don't you wish guys like this existed? Along the lines of Batman and The Punisher, this character is the epitome of a modern “superhero” who survives attempt after attempt to kill him and ultimately knows the game of war better than the professionals. Mark Wahlberg is exceptionally suited to this role as the rough and tough Marine disillusioned at his country's treatment and sanctioning of “black ops” while abandoning the men who carry them out. Michael Pena is the young FBI agent overcome by Wahlberg as he is making his escape from the men trying to kill him. Pena develops the character with finesse, so you believe the transition he undergoes from FBI agent to Swagger's assistant and contemporary. Kate Mara as Sarah Fenn is refreshing and believable, moving from confusion to commitment to rage in her efforts to help Swagger. Elias Koteas is the brutal, cold and ruthless enforcer whose experiences have led him to believe he is above the law. Both Danny Glover and Ned Beatty are impeccable as Col. Johnson and Sen. Meachem, the villains behind the scene, all more villainous because the operate under the guise of law. Overall the film is quick and tight, with clearly defined good guys and bad guys, and the cinematography, photography, and script are a perfect fit. Rated R for violence, language, and sexual sadism, it is sad to say the teens have probably seen this level of violence in the online games they play, but the little ones probably don't need to see it. Collectible if you like action genre films, or just like good stories.

The Avengers - 2012

Marvel Studios, Paramount Pictures, Albuquerque Studios

Directed by Joss Whedon

Cast:

• Tony Stark / Iron Man – Robert Downey Jr.
• Steve Rogers / Captain America – Chris Evans
• Thor – Chris Hemsworth
• Bruce Banner / Hulk – Mark Ruffalo
• Natasha Romanoff / Black Widow – Scarlett Johansson
• Clint Barton / Hawkeye – Jeremy Renner
• Loki – Tom Hiddleston
• Nick Fury – Samuel L. Jackson
• Agent Phil Coulson – Clark Gregg
• Agent Maria Hill – Cobie Smulders
• Pepper Potts – Gwyneth Paltrow
• Professor Eric Selvig – Stellan Skarsgard
• Jarvis – Paul Bettany (voice)

Story: Loki, the half-brother of Thor, has teamed up with an alien race to conquer and enslave the Earth. In exchange, he must provide the aliens with the Tesseract, the ancient cube of power once hidden on Earth by Odin, later discovered by the Red Skull to power his evil weapons, and now in the hands of SHIELD, thanks to the efforts of Howard Stark, Tony's father. He steals the Tesseract, and uses its power to gain control of Professor Selvig, who is experimenting with it, and Hawkeye, who is assigned to protect it. When Loki steals the Tesseract, Nick Fury reaches out to assemble the team of superheroes to retrieve it, but he faces an uphill battle from the Commission and the Superheroes themselves. Will the Avengers Initiative fail, or will the superheroes conquer the aliens?

Review: Yahoo! The legacy lives on and the story is great! I know there were some concerns out there regarding the former creator of Buffy and Angel doing the screenplay and directing, and there were also a few eyebrows raised when Disney took over the Marvel brand. But everyone can relax, because this flag is up the pole, and everyone is saluting.
Robert Downey Jr. is especially his arrogant self as Tony Stark, and I loved the scenes where he and Gwyneth Paltrow are acting like a couple. His interactions with Chris Evans and Mark Ruffalo set the stage for the internal conflicts with each other and Samuel L. Jackson. The dynamics of the characters could not have been any better.
And speaking of the newest member of the Marvel character crew, hats off to Mark Ruffalo who took a role once played, poorly, by Eric Bana, and somewhat better by Ed Norton, and not only made it his own, but made Bruce Banner come to life in realistic ways. His persona as the more aggressive scientist with self control and determination lends to the idea such a being might be controlled, or at least directed.
Chris Hemsworth and Tom Hiddleston play beautifully off one another, which gives us the impression of the Asgardian egos and the depths to which they extend. Scarlett Johansson and Jeremy Renner are perfect as the bodyguards nee assassins who are as courageous as they are talented. And Clark Gregg reprises his role from Iron Man and Thor to remind us there are always dedicated men who are simply trying to do their job, in spite of extraordinary circumstances.
The story is fast paced, and wastes little time in exposition, with smidgens of personal lives and assignments interspersed in the film. Overall, the cinematography is exceptional, the graphics are phenomenal, and the entire film has the flow and character of the Comic Books (okay, Graphic Novels) of our misspent youth. I went in expecting an epic, and was not disappointed. Rated PG-13 for violence and a mild reference to drugs, anyone who ever read the stories and those of us who love the prequels (let's face it, folks, Iron Man, Thor, etc. were all prequels to this event) will love this film. I've already reserved a copy for my collection, and you should, too.

Contraband - 2012

Universal Pictures, Relativity Media, Working Title Films

Directed by Baltasar Kormakur

Cast:

• Chris Farraday – Mark Wahlburg
• Sebastian Abney – Ben Foster
• Danny Raymer – Lukas Haas
• Kate Farraday – Kate Beckinsale
• Tim Briggs – Giovani Ribisi
• Ben Farraday – William Lucking
• Captain Camp – J. K. Simmons

Story: So Chris Farraday used to be a smuggler..an A-1 smuggler. He didn't smuggle drugs, but he did smuggle high end items. But all that is behind him now. He owns a security company, installing and maintaining security systems for wealthy clients. Until he gets the word, his brother-in-law was smuggling drugs into the country and had to dump his shipment when they were about to be boarded by Customs. Now he is on the hook for the money paid for the product and Chris has to get back into the business for one last job. He leaves his wife and son in the care of Sebastian, a former smuggler and alcoholic who now has a construction business. While he is away, the criminals are harassing his wife and son, his brother-in-law makes a stupid mistake, and Chris has to make some quick decisions to save his wife and son from the real criminals.

Review: Great action and a great cast combine to make this an exceptional action fim. Okay, so the premise of the film is tried and true, an expert criminal who has gotten out of the life (Gone in 60 Seconds, etc.) is forced back in to protect a loved one. Interesting that Giovanni Ribisi is the criminal this time, tattooed and viscous, and Mark Wahlburg is the former smuggler. But when you watch the film, the entire cast is fluid and coherent, and the action is logical and reasonable. Ben Foster does an excellent job in his part, and it is nice to see Lukas Haas in a role that doesn't involve aliens or lovesick people. Veteran William Lucking, whose portrayal of “tough guys” through the years has entertained literally millions, is believable as Mark Wahlburg's dad, and J. K. Simmons (Emil Skoda in Law and Order and the Farmer's Insurance Guy) is excellent as the corrupt Captain Camp. So in addition to a great cast, the action scenes are flawless, the continuity is perfect, and film has a consistent feel throughout that keeps you on the edge of your seat. Rated R for violence and language, this may not be a collectible unless you're a Wahlburg fan, but certainly one for the folks who love a “crime never pays” film with plenty of comeuppance for the bad guys.

Rambo III - 1988

Carolco Pictures

Directed by Peter MacDonald

Cast:

• John Rambo – Sylvester Stallone
• Col. Sam Trautman – Richard Crenna
• Col. Zaysen – Marc de Jonge
• Griggs – Kurtwood Smith
• Masoud – Spiros Focas
• Mousa – Sasson Gabai
• Hamid – Doudi Shoua
• Kourov – Randy Raney
• Tomask – Marcus Gilbert

Story: Three years have passed since John Rambo recovered the POW's in the Vietnamese prison camp and walked away from his connections with the U.S.. He's been living in Thailand with the monks, doing manual labor and odd jobs, and occasionally raising some cash by stick fighting. But eventually his past is going to come back to haunt him. Col. Trautman gets wind of his location and with the help of the U.S. Embassy, tracks him down. When he finally meets up with John, he offers him another mission, this one in Afghanistan. The Soviet commander in one zone just over the Pakistan border is a particularly cruel and effective man, the mission is to investigate and discover how this man is getting his intelligence. Rambo refuses the mission, and Trautman leaves. Several weeks later, Griggs, the man from the Embassy comes to tell Rambo his friend has been captured. Without hesitation, Rambo volunteers to go in to rescue Trautman, knowing full well if he is caught or captured, the U. S. government will not acknowledge him. When John goes into Pakistan to meet his guide, he discovers the source of the leak, and must go into battle against the Soviets to free his friend.

Review: So First Blood 2 was a segue? Start with the Vietnamese and end up with the Soviets? Sigh. Well, the truth of the matter is this third film of the franchise is no less exciting than the first two, although in the first film we were dealing with a man who felt disconnected from his country. In this film, Rambo has found a sort of peace in his life with the monks, a simple life without the hustle and distraction of modern living. While I doubt Stallone's character has achieved a state of Zen, there is a calmer, more focused individual who is working on the temple buildings. Even in his communication with his Afghan guide, John is calmer, more easy going, yet still guarded in his person. He lets go only what is needed. Technically, the film is superb. The photography and stunts are nothing short of amazing, and the quality of the plot is par for the Rambo action genre. Rated R for violence and language, this film is collectible with the set and viewable once if you have seen the others. Not my favorite of the series, but certainly not the worst.

First Blood: Part II - 1985

Anabasis N.V.

Directed by George P. Cosmatos

Cast:

• John Rambo – Sylvester Stallone
• Col. Sam Trautman – Richard Crenna
• Marshall Murdoch – Charles Napier
• Lt. Col. Podovsky – Steven Berkoff
• Co – Julia Nickson
• Ericson – Martin Kove
• Tay – George Cheung
• Banks – Andy Wood
• Capt. Vinh – William Ghent
• Sgt. Yushin – Voyo Goric
• Capt. Kinh – Dana Lee

Story: Three years after his brush with the law, John Rambo is doing hard labor at a Military prison when Col. Trautman shows up at the gate. He has a proposition for Rambo that might earn him a presidential pardon. He is verify a Vietnamese prison camp, the one he escaped from in Vietnam, is empty and there are no American prisoners being held there. He is inserted by parachute and is almost killed when his gear becomes entangled on the aircraft, but manages to cut himself free. He meets up with his guide, a lovely Vietnamese girl named Co, and proceeds to the camp, only to find there are prisoners being held. When he and one of the prisoners reach the extraction point, Murdoch, the CIA agent in charge, orders the helicopter to abort the mission, leaving Rambo and the prisoner to be recaptured by the Vietnamese and Soviet soldiers. Rambo is interrogated and tortured, but manages to escape with a new mission: Find Murdoch!

Review: Second film in the franchise and heading slowly downhill. While the level of action is certainly maintained in this second installment of the legendary Rambo, the film seems just a bit under the excitement level of the first. The addition of the Soviets in this film is certainly an accusation from Stallone's perspective, and I am sure managed to ruffle a few diplomatic feathers at the time [there was a Soviet Union in 1985, kiddies]. Because of that, the film was shot in Malaysia, since we had no real relationship with Vietnam at that time. So you have to understand the crew was working in miserable conditions with mosquitoes large enough to hold a gun on you while they sucked your blood and humidity thick enough to slice and eat for breakfast. As to the characters, Rambo seems a bit mellower following a three year stint of making little ones out of big ones. Trautman seems like he has lost his self confidence when dealing with Murdoch. And speaking of Murdoch (played by Charles Napier), would you ever trust a word this guy says? Martin Kove is the perpetual pseudo tough guy who has a small and fairly inconsequential role. The remaining cast is straightforward and somewhat boring, but overall the film is entertaining and does have the merit of putting the POW/MIA issue on the forefront. Rated R for violence, disturbing scenes, and language, First Blood 2 is worth seeing once and collectible if you have the set or love Stallone.

First Blood - 1982

Anabasis N.V., Elcajo Productions

directed by Ted Kotcheff

Cast:

• John Rambo – Sylvester Stallone
• Sheriff Teasle – Brian Dennehy
• Col. Sam Trautman – Richard Crenna
• Deputy Kern – Bill McKinney
• Deputy Galt – Jack Starret
• Deputy Balford – Michael Talbot
• Deputy Ward – Chris Mulkey
• Mitch – David Caruso

Story: John J. Rambo is a Vietnam vet home from the war, on a mission to catch up with some of the people he served with. He's on foot, hasn't shaved for a while, traveling by foot or thumb, wearing a field jacket and carrying a duffel bag over his shoulder. He gets bad news, the last living member of his unit died from Agent Orange poisoning. So he's drifting when a small town sheriff sees him and politely but firmly escorts him to the other side of his town. But Rambo doesn't see why he should travel another 30 miles up the road to get a meal and turns around, so the Sheriff Teasle decides to arrest him for vagrancy. When he is being processed, one of the deputies, a sadistic bastard, decides to teach him a lesson and becomes abusive. Rambo has a flashback to a memory from Vietnam and explodes in a burst of fury, injuring several deputies and escaping into the mountains and woods outside of town. The Sheriff and his deputies pursue him into the woods, but when they try to capture him, they find out they are dealing with much more than a common ordinary veteran. Rambo is a Green Beret with several decorations, including the Congressional Medal of Honor. His job in enemy territory was to kill enemy troops. Period. He is a one man army who brings the town to its knees and teaches the Sheriff that abusing power is not the same as enforcing the law.

Review: The birth of the franchise and my favorite of the Rambo movies. Sylvester Stallone is not the super vet in this film, at least not physically. (He gets bigger and bigger as his career moves forward, check out The Expendables.) The acting in this film is straightforward and honest. The deputies are locals who don't have a lot of experience in dealing with violence, the sadistic jailer gets his comeuppance soon enough, and Brian Dennehy is the sheriff who realizes he probably screwed up, but doesn't want to admit it. How dare some drifter challenge him in his town! Stallone is the lost soul, the disenfranchised loner who returned from a war to be met with protestors instead of open arms. Richard Crenna (R.I.P.) portrays the would be mediator who tries to defuse the situation. Underneath all the violence, you have to remember that the character Rambo has done nothing wrong, and is being pursued unjustly. Underlying the movie is a statement about Post Traumatic Stress Disorder and the way returning veterans are treated, even today. So while the adrenaline junkies among us usually praise the action in this film (and there is certainly some worthy action), most people tend to forget this film is a political statement that simply lays out the facts and lets you be the judge. Rated R for violence, language, and some disturbing images, this film is a collectible for any serious collection.

Columbiana -2011

Europa Corp., TF1 Films Production, Grive Productions

Directed by Olivier Megaton

Cast:

• Cataleya – Zoe Saldana
• Marco – Jordi Molla
• Ross – Lennie James
• Danny Delany – Michael Vartan
• Emilio Restrepo – Cliff Curtis
• Don Luis – Beto Benites
• Fabio – Jesse Borego
• Alicia – Cynthia Addai-Robinson

Story: In Columbia, the 9 year old daughter of a man who works for a drug lord watches as her parents are murdered and narrowly escapes with her life. She goes to an address her father has given her for emergencies, where events are set in motion and she arrives at the home of her uncle. When asked what she wants to do, Cataleya replies she wants to kill Don Luis, the drug lord. Her uncle is also involved in the underworld, and teaches her all he can about the skills she will need to accomplish her mission. We move ahead a decade, where the adult Cataleya is not a bloodied professional hit woman. She continues to seek Don Luis, who has surrendered to the DEA and the CIA in exchange for information. When she finally locates her objective, the battle is bloody and devastating.

Review: Zoe Saldana as a hit woman, a professional killer. As improbable as that may seem, she pulls it off, showing us a very different side of her abilities than we have seen in previous films. Perhaps it is the directing abilities of Olivier Megaton, or the writing of Luc Beeson, but there is a fluidity in this film that leads the audience into the realm of probability. The casting is exceptional, and the supporting roles for her character give an air of excitement and credibility to an otherwise mundane story of revenge. Of particular note is the lack of sexploitation so often associated with these types of films. While the sex is implied, there are no explicit scenes, and no frontal nudity tossed in as titillation, which is refreshing in itself. The action scenes are interspersed with enough exposition to keep the plot interesting, and Cataleya's character is nicely developed throughout the story. Rated PG-13 in the theaters, there is an unrated version in the video stores which contains more blood and gore. Violence, language, “disturbing scenes”, and sexuality are the caveats here, so the little ones should probably be tucked in before the teens and parents put this one in the player. While I don't see this one as particularly collectible, it isn't a waste of your time if you're looking to be entertained.

Cloverfield - 2008

Paramount Pictures, Bad Robot

Directed by Matt Reeves

Cast:

• Marlena Diamond – Lizzy Caplan
• Lily Ford – Jessica Lucas
• Hudson 'Hud” Platt – T. J. Miller
• Rob Hawkins – Michael Stahl-David
• Jason Hawkins – Mike Vogel
• Beth McIntyre – Odette Annabele

Story: Shot from the perspective of a personal video camera, we follow five young adults through a night of sheer horror. Rob Hawkins, the older brother of Jason, is leaving tomorrow for Japan for his job, and his friends decide to throw him a going away party. We see moments leading up to the party, as well as some personal footage (they borrowed Rob's camera to shoot the memento video and forgot to change the tape) between Beth and Rob. While the party is in full swing, Beth shows up with another guy, and Rob and her argue, some of it on tape. Beth and her friend leave the party, and Rob is off sulking when an explosion rocks the building and the power flickers on and off. The guests quickly leave the party and go out into the street to see what is happening, when the head of the Statue of Liberty comes sailing through the air and lands in the street. They quickly learn the Army is battling a creature of unknown origin in the streets of Manhattan, and trying to evacuate civilians. Rob, Hud, and Lily head out to find Beth, who is injured and in her apartment. Along the way they discover Marlena, and together the four try to rescue Beth and make it to the evacuation area before the Army obliterates Manhattan.

Review: An interesting take on the horror genre, Cloverfield was not my first “recovered footage” film. I have to admit, once I got through the first 20 minutes of the film, it moved pretty well. The dialogue was interesting and the actors played their parts well. Since the entire film is comprised of “recovered classified footage”, the film is not of the quality you would expect from a big budget production. But the story is both plausible (except for the creature, which is never fully identified) and real. How would you react to that level of chaos and panic? This is an interesting character study which looks for the best in the participants, who are willing to sacrifice their lives to save another. While certainly not a huge collectible for the mainstream, I think this will be a favorite of lovers of the Blair Witch Project and Apollo 18. Rated PG-13 for terror, violence and disturbing images, I think this is one time you should heed the warning and watch this one after the little ones are asleep.

Mission Impossible; Ghost Protocol - 2011

Paramount Pictures, Skydance Productions, Bad Robot

Directed by Brad Bird

Cast:

• Ethan Hunt – Tom Cruise
• Jane Carter – Paula Patton
• Benji Dunn – Simon Pegg
• William Brandt – Jeremy Renner
• Kurt Hendricks – Michael Nyqvist
• Anatoly Sidorov – Vladimir Mashkov
• The Secretary – Tom Wilkinson

Story: Ethan Hunt is caught up in another mystery as he and his inexperienced IMF team is set up to take the fall for a massive explosion at the Kremlin. A rogue Russian physicist has concluded a nuclear war will save the planet and should happen so that only the fittest survive. He has anticipated the involvement of the super secret IMF,and as they are burglarizing the Kremlin in an attempt to safeguard the launch codes for their nuclear arsenal, they are set up to take the fall while the lunatic scientist escapes with the codes. The team travels to Dubai, where they must assault the building servers at the 130th floor, and ultimately to Mumbai, where they must prevent the detonation of a nuclear device on San Francisco.

Review: More of the same...with less. Don't get me wrong, I was a big fan of the television series, even the more sedate episodes where the team had to get in and out without ever being detected. And when Tom started the series with an excellent cast and a seriously good plot, I applauded the return to the adventures of the IMF. But this film lacks the power and the potency of it's three predecessors. While Cruise recaptures the role of Ethan Hunt well, his supporting team acts as if they have no clue as to what's happening. While I think the director was trying to inject a bit of humor in the incessant babblying of Simon Pegg, the false modesty of Paula Patton, and the hesitantcy of Jeremy Renner, these attempts fail miserably, and we are left with a Keystone Kops version of what should be a very dramatic and exciting film. The special effects and stunts are impressive, but that is a combination of money and technology, and with the backers for this film, I doubt either was in short supply. I am sure they were counting on the appeal of the franchise to carry this one to the box office hits column, and they were right. However, if this writing and acting are any indication of the future of this series, I think we would be better off with a remake of Space 1999. Rated PG 13 for the violence and language, rent it if you must, add it to your collection if you have the other three, I suppose. It will not be in mine.

Blitz - 2011

Lionsgate, Davis-Films, Current Entertainment

Directed by Elliot Lester

Cast:

• Brant – Jason Statham
• Nash – Paddy Considine
• Weiss – Aiden Gillen
• Falls – Zawe Ashton
• Dunlop – David Morrisey
• Radnor – Ned Dennehy
• Roberts – Mark Rylance

Story: Someone nicknamed the Blitz, is killing police officers in London. Only problem is, he is doing a bang up job of it. A detective, Brant, is assigned to the case, but is told to be inconspicuous if he can, since the police are getting a lot of heat in the papers about their brutality. Brant has just returned from suspension and taking some time off to help his inspector, Roberts, bury his wife. Blitz wants the publicity and contacts a local reporter, Dunlop, who sits on his contact information. Then a street informant, Radnor, discovers information about Blitz's identity and tries to shake down the newspaper for a reward. Again, Dunlop tries to use the information before notifying the police. Meanwhile, other police officers are killed. When Dunlop finally does reveal his knowledge to the police, Blitz has had time to hide all the evidence. But the police are not done yet.

Review: I guess London needed a Dirty Harry, so they came up with this one. Jason Statham is an English Clint Eastwood/Bruce Willis combo in this action packed thriller about a cop killer on the loose. Paddy Considine does an excellent job portraying the temporary station commander who is assigned after the current commander, played by Mark Rylance, is placed on bereavement leave after the death of his wife. Aiden Gillen is Blitz, the cop killer with a mission of vengeance for the officers who incarcerated him before. Overall, the plot is nothing new, the good guys are chasing the bad guy, life goes on, and good triumphs over evil. But the action scenes are crisp and well done, as is the photography. This is not the glitzy, shiny world of 007, where everyone dresses to the nines and the royals are out on display. These are the mean streets of London, and Jason Statham is the cop who breaks the rules to keep the citizens safe. Rated R for violence, some nudity, language, and some drug use, this one is definitely not a collectible, but worth an evenings entertainment.

Catch .44 - 2011

Annapurna Productions, Emmett/Furla Films, Benaroya Pictures

Written and Directed by Aaron Harvey

Cast:

• Tes – Malin Akerman
• Sara – Reila Aphrodite
• Dawn – Deborah Ann Woll
• Sheriff Conners – Brad Dourif
• Ronny – Forest Whitaker
• Billy – Shea Whigham
• Mel – Bruce Willis

Story: In a crappy little, backwater diner in Texas, three young gals are about to rip off both drugs and money from two couriers when all hell breaks loose. Two of the girls are killed, along with a waitress, a driver, and a couple of tourists, leaving Tes and Billy, the cook, in a Mexican Standoff. But how did it all start? In the vein of Pulp Fiction and other film noir hits, we get flashbacks in bits and pieces to tell us how Tes got taken in to Mel's organization. Mel is the head man, the man running heroin and other drugs up and down from Mexico. He recruits Tes from one of his strip club / dives to work for him. But after three years the bloom is off the rose, so Tes and her friends are set up in the diner. How does it work out? You gotta watch the film.

Review: Film Noir is a lasting art form that rarely comes across for the general audience, and this film is no exception. Catch .44 is a gritty, no frills film with some excellent acting by both the principles and the cameo players. Bruce Willis and Brad Dourif are the supporting actors in this little drama, with Forest Whitaker taking the lead as Willis' second in command. Malin Akerman, Reila Aphrodite, and Deborah Ann Woll are excellent as the three clueless women who are thrust into a situation they were never meant to control. Most of the rest of the cast is window dressing, and the plot boils down to who lives through this dark drama. If you like Pulp Fiction or the old 40's style detective story, you'll probably enjoy this hour and a half of raw action. Rated R for violence, language and nudity, put this one back on the video store shelf after you've watched it.

Killer Elite - 2011

Omnilab Media, Ambience Entertainment, Current Entertainment

Directed by Gary McKendry

Cast:

• Danny – Jason Statham
• Spike – Clive Owen
• Hunter – Robert De Niro
• Davies – Dominic Purcell
• Meier – Aden Young
• Anne – Yvonne Strahovski
• Martin – Ben Mendelsohn
• Agent - Adewale Akinnuoye-Agbaje

Story: Based on a true story by Ranulph Fiennes, a British officer in the service of the Sultanate of Oman, orginally published under the title “The Feather Men.” A special ops team of assassins is sent in to eliminate a politician, but after the assassin kills the target, he discovers there is a child in the car. He hesitates, is shot in the arm, and his team manages to extract him before the police and guards can get to him. As he is being driven away, he tells the team leader “I'm out.” approximately a year later, while working on his property in Australia, he receives a package in the mail containing an airline ticket and a photo of his team leader in captivity. When he arrives in Oman, the Sultan explains there are three men responsible for the deaths of his sons, and he wants them killed before he will uphold his bargain with the British for oil rights. If Danny, the assassin, does not do this, they will kill Hunter, his old team leader. There is a slight problem, the men he wants killed are all Special Air Service commandos, known as some of the most skilled killers in the world. As Danny works with his former teammates, Davies and Meier, to complete the task, Spike, a former SAS operative in the service of the “Feather Men”, discovers his former teammates are being killed and alerts the SAS. Danny must battle the British government's most prolific killers to keep his team leader alive.

Review: This is NOT a remake of the 1975 film! This is a remarkable translation of a book that exposes the British government, or at least a scheming, ruthless portion of it, for the money grubbing, greedy opportunists they were. Set in Oman in the 1980's, the film focuses on an elite team of assassins sent in under the guise of maintaining political stability to take out elements of the government who were unfriendly to British interests. There missions are simple assassinations, usually clean kills, until the one we see at the opening of the film. I could digress into the book itself, but had better stick to the movie if I don't want to start an editorial. I do highly recommend the book, if you have the time. As to the film, it is a no-holds barred look at the seedy underside of political deals and the life of a trained mercenary. Jason Statham gives a rare and remarkable performance as the assassin who is tired of the game, yet pulled back in to save the life of his former team leader, Robert De Niro. De Niro's performance is highly reminiscent of his role in Ronin, and he brings that sense of a man who knows so much more than he is willing to tell. Clive Owen is a passionate, cold blooded killer who has trouble coming to grips with his physical impairment (he lost an eye) which led to his discharge from the SAS. Dominic Purcell gives a stellar performance as the assassin who resembles Fiona in Burn Notice in attitude (“Shall we shoot them?”), but is intensely loyal and follows orders as directed. The film moves quickly, and the action is appropriate to the scene, which means that there are no added explosions or visuals beyond what is needed to get the point across. Rated R for language, violence, and some sexuality/nudity, this is a carefully thought out film without a bias. The events unfold, the story is told, and it is up to you, the viewer, to determine right and wrong. I will leave collectible up to you, it will depend on your taste in politics and war films.

Resident Evil: Apocalypse - 2004

Constantin Film Produktion, Screen Gems, Davis-Films

Directed by Alexander Witt

Cast:

• Alice – Milla Jovovich
• Jill Valentine – Sienna Guillory
• Carlos Olivera – Oded Fehr
• Major Cain – Thomas Kretschmann
• Angela Ashford – Sophie Vavasseur
• Dr. Ashford – Jared Harris
• L.J. - Mike Epps
• Terri Morales – Sandrine Holt
• Nemesis – Matthew G. Taylor

Story: We pick up where we left off in Resident Evil. The city is in a panic as the Umbrella Corporation evacuates key personnel and erects a wall around the city. Alice has managed to find an surplus store and is armed to the teeth. Meanwhile the police are trying to contain the panic, and a team of special officers known as S.T.A.R.S. are working in conjunction with Umbrella Corp. Special Forces to attempt to limit the spread of the disease. The zombies are winning, of course, and Alice is doing what she does best, kicking ass and taking names. When she rescues two STARS officers and a reporter from a mutant demon in a church, they all work together to find a way out of the city. Alice knows the Umbrella Corporation will sanitize the city with a 5 kiloton nuclear weapon at dawn, so they have that long to escape. Meanwhile, one of the scientists who created the T-virus is desperately seeking help to rescue his daughter from the city. He contacts Alice and her team and offers them a way out in exchange for the rescue of his daughter. When they have her, Alice must battle her counterpart, Nemesis, to survive.

Review: Milla Jovovich once again plays Alice, the genetically altered warrior whose powers are growing more and more powerful every minute she is alive. She is literally a one woman army, and her skills are impressive. Milla's character is bent on accomplishing one goal: Destroy the Umbrella Corporation. She exits the Raccoon City hospital and seizes a police shotgun out of an abandoned squad car, and begins to walk down the street littered with cars and other vehicles wrecked and destroyed. Meanwhile, Jill Valentine, a sexy and deadly STARS cop played by Sienna Guillory, is on alert as well, taking the initiative and shooting the zombies in the head. She and her partner are at the only exit from the city when a man becomes one of the walking dead and the gates are closed, sealing the city from the outside world. Oded Fehr and his team of commandos are pinned down by zombies and soon realize no help is coming. Jared Harris as Dr. Ashford has only one priority, to get his daughter out of the city. This film is as good as the first and perhaps a little better. Tina Gerussi and Robyn Ray deserve exceptional mention for their casting. Rated R for brief nudity, language, and violence, this is a must see if you liked the first movie, are a fan of the video game, or just like a good old fashioned high tech bloodbath with plenty of action.