Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Showing posts with label Penelope Ann Miller. Show all posts
Showing posts with label Penelope Ann Miller. Show all posts

Wednesday, May 16, 2012

Kindergarten Cop - 1990

Kindergarten Cop - 1990


Imagine Entertainment, Universal Pictures


Directed by Ivan Reitman


Cast:


Story: A hardcore narcotics detective and his partner go undercover to locate the runaway wife of a drug kingpin and their son in a rural Oregon town. Phoebe O'Hara is to substitute teach the kindergarten class while John Kimble looks around the town for clues. But on the night before they are to take their positions, O'Hara falls ill and Kimble is forced to fill the role as the teacher to the kindergarten class. Miss Schlowski looks on as the children run amok and Kimble almost loses his mind, but O'Hara saves the day, and by the end of the show the kids are loving their new teacher.

Review: Before this, I think everyone thought about Arnold as Conan or the Terminator. And you can hardly blame them. After all, Arnold is the muscular, imposing prototype for the majority of action heroes on the screen today. Even after Twins, Arnold had a lot of resistance to using him in non-action roles. But this role is the one that proved he could be funny and still make a great impresson on the audience and fans alike. Arnold is all the things any action hero would cringe at, polite, gentle, understanding, and even in touch with his feelings. Pamela Reed is the perfect foil for Arnold in this lighthearted comedy with a twist. Her presence on the screen provides just the right amount of pure comedy and tomfoolery to make the less than plausible scenes work. And as usual, she ends up with all the great lines. Penelope Ann Miller is, well, Penelope Ann Miller. Her role as the teacher across the hall from Arnold's class gives the two of them a few occasions to intermingle, but I think Reitman could have made a few more scenes work. Linda Hunt is absolutely delightful as the principal who looks on while this brooding hulk of a man tries to tame the wild children. Cathy Moriarity provides us with a look into the “single parent capital of the west”, and while her role is brief, her input and presence is remarkable. Overall, the film has a buoyancy that allows you to sit through the more placid moments and still want to stay in your seat to see what happens. The real stars are the kids, of course, and I would be remiss not to mention early appearances by Odette Yustman (now Annable), Adam Wylie, and Krystle and Tiffany Mataras, to mention just a few. Rated PG-13 for references to drugs, some language, and some violence, this film is a classic for the kids (I'd say 10 and up, but that is your call) and definitely a keeper for your collection.

Friday, May 11, 2012

Other People's Money - 1991

Other People's Money - 1991


Warner Bros. Pictures, Yorktown Productions


Directed by Norman Jewison


Cast:


Story: "Larry the Liquidator" is a man on a mission. As a Wall Street Investor and a player in the game, he wants to make as much money as possible. His computer, named “Carmen”, is the first thing he looks at in the mornings, and she's telling him about New England Wire and Cable, a sixty year old company on the verge of obsolescence. As a stockholder, he decides to visit the company and see if he can buy them out. His visit doesn't go so well. The owner and chairman of the board, “Yorgy” Jorgenson, almost has him thrown out of the building. But Larry is undeterred. He begins buying stock in the company to force a takeover. “Yorgy” enlists the help of his stepdaughter, a successful New York City attorney, who begins filing injunctions and using all sorts of legal tactics to protect the company, but when Kate Sullivan finally walks into Larry's office, Larry begins what has to be the strangest romance ever seen in cinema. Through maneuver after maneuver, he tries to woo the beautiful Kate, while continuing to pursue the defunct company.

Review:About four years earlier, Gordon Gecko became the most hated man in America, the epitome of greed and corruption. Danny DeVito, that diminutive tyrant from Taxi, manages to give us a fresh perspective on the successful, honest Wall Street investment type. Lawrence lives well, a posh NYC townhouse, a valet/cook/chauffeur, and a corner office in his own firm on Wall Street. This is a side of DeVito unseen up to this film, and it shows you just how versatile he can be. He is the romantic leading man in this delightful study of human interaction, and he carries it off beautifully. Penelope Ann Miller, that ravishing redhead with the lithe body and delicate bone structure, plays the modern, independent woman who has battled her way to the top and knows how to play the game. She is forceful with just the right amount of submissiveness, prideful with just the right balance of humility, and classically beautiful in a very subtle, yet Venus de Milo way. Gregory Peck delivers a stunning performance as the aging, stubborn, factory manager who refuses to accept the advice of others, sort of a mortal Yoda with no ability to see into the future. Dean Jones departs from his ever bubbly Disney persona to deliver a serious role of the president of a company with an uncertain future. Piper Laurie, well, there is a very short list of desirable women in the world, but she is definitely on it. She comes across as the ever present cheerleader, the woman behind the man. Overall, the plot is fast paced and entertaining, with plenty of DeVito personality to make this one of the finest romantic comedies to ever hit the screen. Rated R for language and sex-related dialog, I hardly think the teens in your household will be offended or negatively impacted by this delightful film. Definitely a collectible for you connoisseurs of fine romantic comedy, and fans of DeVito.