Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Showing posts with label Christopher Walken. Show all posts
Showing posts with label Christopher Walken. Show all posts

Monday, June 4, 2012

Suicide Kings - 1997

Suicide Kings - 1997


Artisan Entertainment


Directed by Peter O'Fallon


Cast:

Carlo Bartolucci / Charlie Barret – Christopher Walken
Lono Veccio – Denis Leary
Jennifer – Nina Siemaszko
Avery Chasten – Henry Thomas
Max Minot – Sean Patrick Flannery
Brett Campbell – Jay Mohr
T. K. - Jeremy Sisto
Ira Reder – Johnny Galecki
Lydia – Laura San Giacomo
Elise Chasten – Laura Harris

Story: Okay. So this well connected former mobster turned respectable citizen walks into his favorite bar at his favorite hotel and two well dressed punks are sitting at his reserved booth. Charlie Barret, formerly Carlo Bartolucci, turns to the bartender to see what's happening. The punks start to give the bartender some lip, so Charlie pops up and starts to be gracious when the punks, Avery Chasten and Max Minot, recognize him and begin to apologize and offer to buy him a drink. After a little encouragement, Charlie sits in the booth and joins them, and they are joined by their friend, Brett Campbell. The boys make a little small talk with Charlie, and then explain they are meeting Avery's father for dinner and invite him to join them. Since Avery's dad is a well connected financial adviser, Charlie agrees to join the three for dinner, but as they are driving along in Avery's mother's Mercedes, suddenly the boys in the back toss a strap around Charlie while one of them tries to subdue him with chloroform. Charlie is a former mob boss, and does not go quietly, but eventually they get him unconscious and drive him to the house of Ira Reder, a friend who has no idea what they had planned. When Charlie comes around, he is strapped to a chair, and his pinkie finger with his ring has been removed. Avery tells him his sister has been kidnapped, and the kidnappers have begun to send her back in pieces, and for every piece they get of the sister, Charlie is going to lose a piece unless he helps them recover Avery's sister.

Review: A couple of years back, I was looking through a copy of Maxim magazine and I found a list of 20 films saved by having Christopher Walken in them. As you have probably guessed, Suicide Kings was among the 20, actually, I believe it was number 3.

This was Peter O'Fallon's premiere film for the big screen (he has since made only one other, although he continues to direct numerous television series), and there are a lot of things that might have gone a little better. The dialog is weak in spots, the premise of a “made guy” going off with a bunch of preppy kids is a little off the wall, and the overall feel of the film drags from time to time. But that doesn't mean it is a total failure.

As a matter of fact, just the opposite. Needless to say Walken and Leary come off exceptionally well, and the remainder of the cast is believable. Johnny Galecki comes off as Johnny Galecki, which is to say his dialog and acting are better suited to his current role in Big Bang Theory than to the big screen. Jay Mohr, well, I never have like Mohr, so I can tell you his character is passable, but he never quite rises to the level needed for his part. Henry Thomas and Sean Patrick Flannery both give good performances, and are really the two character who draw your interest. Jeremy Sisto as the medical student tending to Walken is more than adequate to the role, and you can see the young actor's ability flourishing into the actor he has become.

As to the film itself, the plot, once you get past the implausible part, is good and moves pretty well, although there is a lot of exposition that seems pointless until you get to the very end. By then, unfortunately, you lose interest, unless you are a die hard Walken fan (guilty as charged).

Since I have the DVD (yes, I pulled it out of the bargain bin at WalMart), I've watched the alternative endings and listened to O'Fallon's comments, and the one that struck me the most was his comparison of the final scene of the film to one in The Usual Suspects. Hmmm. Not even close, Pete.

Rated R for violence, language, torture, and some nudity, this film is one you might want to rent just to see why television directors who are really good at their jobs should stick to television. Definitely a renter, not a keeper, and then only if you are interested in coming away with a very unsatisfied feeling from a movie.

Monday, April 23, 2012

Kill the Irishman - 2011

Kill the Irishman - 2011


Anchor Bay Films, Code Entertainment, Dundee Entertainment


Directed by Jonathon Hensleigh


Cast:


Story: Based on the true story of the Irishman who dared to defy the Mob in Cleveland in the 1970's. Danny Greene was a true Celtic warrior, or so the story goes. He's involved in the unions on the docks, unloading freight containers, when a few people encourage him to run for union president. When he helps out a friend who has run up a gambling debt with the local mob, he becomes involved in a spiral into the world of organized crime. He becomes the union president, and is involved in a number of enterprises, including organizing the local garbage men. A local reporter snoops around and discovers some of his dealings, which leads to his arrest and conviction. But Danny is still a force to be reckoned with, and he soon returns to the criminal life as a collection agent for a loan shark, Shondor Birns. When Birns eventually puts a contract out on Danny, he sets into motion a murder spree that accounts for more than 30 explosions and killings in the underworld, and a syndicate story that shocked the nation.

Review: Great cast, great acting, and an absolute must-see for mafia-philes. Ray Stevenson and Linda Cardellini give exceptional performances as Danny and Joan Greene in this hard hitting story based on his life. Unlike many bio-dramas, this one moves along at a rocket pace, leaving the audience on the edge of their seats. D'Onofrio is exceptional in this role, as is Christopher Walken, and you have to wonder how Stevenson keeps up with such powerful performers, but he does. Lots of favorite character actors dress up this larger than life scenario, including the lovely and always enticing Fionnula Flanagan as the neighbor, Mike Starr as one of Tony Lo Biano's enforcers, and Bob Gunton as the Union President who can't stand on his own. Paul Sorvino gives us the perfect NYC mob boss image and, while his role is brief, it's a performance worth watching. Val Kilmer's role as the police officer who grew up with Greene is subdued, but he carries it off with the right tone and balance to the film. Since a great film always comes down to the director, we have to give Jonathon Hensleigh a resounding round of applause for this fascinating and entertaining portrait of the underworkings of the mob. Rated R for violence, language and sexual situations, if you like films like the Godfather, Goodfellas, Casino, etc, you are going to love this one. And if you are a fan of those, this needs to be added to your collection.

Wednesday, April 4, 2012

The Prophecy 3: The Ascent - 2000

The Prophecy 3: The Ascent - 2000


Dimension Films


Directed by Patrick Lussier


Cast:


Story: The Nephalim is fully grown and preaching. Young Danyael, who was orphaned when Molotov cocktails were thrown through the window of his home, is preaching against God to the homeless and disenfranchised when a zealot in the crowd opens fire and shoots him. Gabriel, who is mortal, defends the young prophet, and takes steps to clear his path as he comes back from the dead. Maggie, his companion and mate, is disbelieving, but soon realizes Danyael is not merely a “talking monkey” like the rest of us. The rebellious angels, now led by Zophael, must prevent Danyael from defeating Pyriel, the angel who has been chosen to lead the human race into genocide. When Danyael travels to meet Pyriel, he meets Mary, the native American girl, who prophecies to him. As Gabriel travels to observe the battle, he stops in to the same roadside cafe as the first movie, and has a meeting with Madge, the waitress. In the end, Nephalim and Angel must battle for the future of mankind.

Review: This final chapter of the trilogy brings together all the unanswered questions of the first two films. Walken, Hytner, and, delightfully, Sandra Ellis Lafferty reprise their roles with amazing clarity. Walken is the mortal Gabriel who was cast to earth after the final scene in Prophecy 2, and he makes it apparent whose side he is on. By becoming one of the “talking monkeys”, he now understands the value of their existence and realizes he can no longer oppose God's plan. Dave Buzzota, in his premier performance, is intense and powerful as the Nephalim who soon discovers he has been “kicking against the pricks”. When his destiny is revealed, he throws himself into the role with such vehemence that you get caught up in his mission. The characters are consistent with the first two films, and the overall feel of the movie is enticing and thrilling. Rated R for violence, language, and some brief nudity, this is a good film for followers of modern horror and a must see for anyone who enjoyed the first two film. Collectible with the set, meaningless without the others.

Tuesday, April 3, 2012

The Prophecy II - 1998

The Prophecy II - 1998


Dimension Films, NEO Motion Pictures, Overseas FilmGroup


Directed by Greg Spence


Cast:


Story: Four years have passed and Lucifer is tired of Gabriel's presence in Hell and releases him to walk the earth again. Meanwhile, the angel Danyael has come to earth with a very specific mission, to create a Nephalim, a being born of a human female and an angel. Valerie Rosales, a nurse in a hospital, is driving her car when Danyael falls out of the sky in front of her. As he recovers in her hospital, they become close, and after several weeks he walks her home, and they make love. Within a week, she discovers she is pregnant. Nearly 4 months pregnant. Gabriel is on the move, wanting to eliminate the Nephalim as an abomination who might change the balance of heaven and earth and end the second war. He kills Samayel, and angel sent to watch over Valerie, and when the corpse is brought to the coroner's office, Joseph, the coroner who was a close friend of Thomas Dagget, recognizes who the body is and tries to warn Valerie about the angels and what is happening. Danyael must take Valerie to Michael, who guards the now polluted Eden with his angels, and Valerie must trust the voice of God to save her child.

Review: I'm not usually a big fan of sequels, but the continuity of story line and the introduction of some new characters keep this one fresh and intriguing. I was a little disappointed they could not get Elias Koteas back to reprise his role as Dagget, brief as that part is, but was pleasantly surprised to see Steve Hytner back in the role of Joseph, the coroner. Walken, of course, is consistent as the stars as Gabriel, and brings back a near corpse in the form of Brittany Murphy, who does a much better job in this film that others I have seen her in (In my opinion, the epitome of her career was in Uptown Girls, where she was totally upstaged by Dakota Fanning). Russell Wong is strong in his portrayal of Danyael, with the perfect balance of passion and aloofness. He cares for the human female, but realizes she is mortal, while the Nepahlim they create will not be. Jennifer Beals could have been a bit more passionate in the role, but her performance is passable and doesn't detract from the film's overall theme. Finally Eric Roberts does what he does best, let's his personality shine through, which is to say dispassionate, cold, and ambiguous. But that works here, and since the role is brief, does not detract from the plot or the action. Rated R for sexual situations, language, and graphic violence, this film is a worthy companion to the first, and if you own The Prophecy, this will make a nice addition. But as with all sequels, its a toss up. Definitely worth a viewing, but I suggest you rent it first before you buy a copy.

Monday, April 2, 2012

The Prophecy - 1995

The Prophecy - 1995


First Look International, NEO Motion Pictures, Overseas FilmGroup


Written and Directed by Gregory Widen


Cast:


Story: A young man is about to become a priest. He prostrates himself before the cardinal, is prepared to say his vows, but suddenly a vision comes over him, a vision so bleak and full of despair, he cannot continue. Flash forward several years to this same young man, now a Los Angeles police officer, who is called to a murder scene normally off his shift. A man has been run over by a car in an alley and smashed into a wall. In the room the man has jumped, or was pushed, from, is a copy of a book written by Thomas Dagget, the police officer who wanted to be a priest. The coroner informs Dagget of some irregularities with the body. He has no, nor has ever had, eyes. His bones have no indication of growth. And in his possessions is a hand written Bible with an extra chapter that refers to a second war in heaven. Soon Dagget discovers he is caught in the crossfire in a war between angels over the right of man to be in heaven.

Review: After his incredible success with the Highlander franchise, Gregory Widen wrote and directed this incredible eerie tale of suspense and horror. The characters are crisp and fresh, and the cast depicts them with an eerie sense of reality. Elias Koteas is incredibly adept at his role, portraying the disillusioned Dagget with a humanity we can all associate with. Eric Stoltz is adept at his role as Simon, the angel from the forces loyal to God's will concerning man. Christopher Walken is the perfect Gabriel, smiling and deceptive, treating us “talking monkeys” with the same sort of casual disdain as one may treat a retarded child. Virginia Madsen plays the lone teacher for what remains of an abandoned mining town, and she portrays the role in such a manner as to have us believing she has taught school for years. While the remainder of the cast is proficient and talented in their roles, special mention has to be made of Viggo Mortensen as Lucifer. He delivers his lines with such precision of depth and directness, you can believe he is the devil incarnate. Rated R for violence, gore and language, this is truly a work of art. Collectible as the first in a series of five films, or by itself as just an incredible work of fiction and the imagination of Gregory Widen.