Kill the Irishman - 2011

Anchor Bay Films, Code Entertainment, Dundee Entertainment

Directed by Jonathon Hensleigh

Cast:

• Danny Greene – Ray Stevenson
• John Nardi – Vincent D'Onofrio
• Joe Manditski – Val Kilmer
• Shondor Birns – Christopher Walken
• Joan Madigan – Linda Cardellini
• Ray Ferritto – Robert Davi
• Grace O'Keefe – Fionnula Flanagan
• Tony Salerno – Paul Sorvino
• Jack Licavoli – Tony Lo Bianco
• Jerry Merke – Bob Gunton
• Leo 'Lips' Moceri – Mike Starr

Story: Based on the true story of the Irishman who dared to defy the Mob in Cleveland in the 1970's. Danny Greene was a true Celtic warrior, or so the story goes. He's involved in the unions on the docks, unloading freight containers, when a few people encourage him to run for union president. When he helps out a friend who has run up a gambling debt with the local mob, he becomes involved in a spiral into the world of organized crime. He becomes the union president, and is involved in a number of enterprises, including organizing the local garbage men. A local reporter snoops around and discovers some of his dealings, which leads to his arrest and conviction. But Danny is still a force to be reckoned with, and he soon returns to the criminal life as a collection agent for a loan shark, Shondor Birns. When Birns eventually puts a contract out on Danny, he sets into motion a murder spree that accounts for more than 30 explosions and killings in the underworld, and a syndicate story that shocked the nation.

Review: Great cast, great acting, and an absolute must-see for mafia-philes. Ray Stevenson and Linda Cardellini give exceptional performances as Danny and Joan Greene in this hard hitting story based on his life. Unlike many bio-dramas, this one moves along at a rocket pace, leaving the audience on the edge of their seats. D'Onofrio is exceptional in this role, as is Christopher Walken, and you have to wonder how Stevenson keeps up with such powerful performers, but he does. Lots of favorite character actors dress up this larger than life scenario, including the lovely and always enticing Fionnula Flanagan as the neighbor, Mike Starr as one of Tony Lo Biano's enforcers, and Bob Gunton as the Union President who can't stand on his own. Paul Sorvino gives us the perfect NYC mob boss image and, while his role is brief, it's a performance worth watching. Val Kilmer's role as the police officer who grew up with Greene is subdued, but he carries it off with the right tone and balance to the film. Since a great film always comes down to the director, we have to give Jonathon Hensleigh a resounding round of applause for this fascinating and entertaining portrait of the underworkings of the mob. Rated R for violence, language and sexual situations, if you like films like the Godfather, Goodfellas, Casino, etc, you are going to love this one. And if you are a fan of those, this needs to be added to your collection.

Moneyball - 2011

Columbia Pictures, Scott Rudin Productions, Michael De Luca Productions

Directed by Bennett Miller

Cast:

• Billy Beane – Brad Pitt
• Peter Brand – Jonah Hill
• Art Howe – Phillip Seymour Hoffman
• Sharon – Robin Wright
• Casey Beane – Kerris Dorsey

Story: Based on the book “Moneyball, the Art of Winning an Unfair Game”, this film gives us insight into the predicament of Billy Beane, General Manager of the Oakland “A's”. In 2002, the A's are the lowest funded ball team in professional baseball, and they are about to lose their top three players to free agency. Billy Beane is at wits end, and is meeting with various ball clubs to arrange player trades when he runs into Peter Brand in a meeting with the Cleveland Indians. Brand is a young, rotund man just out of Yale with a degree in economics who has developed a system for analyzing player stats that goes against everything in use at the time. When Billy questions him on his methods, he sees a way to build a championship team without the huge contracts that are awarded to star players. Brand's method is simple, he looks at the probability that a player can get on base, and by doing so, increase the odds he will score. While Beane fails to get the Championship with the team he builds, they do succeed in winning 20 games in a row, a record never before achieved in professional baseball.

Review: Here is a sports film that talks about more than just the players. Brad Pitt gives us a stellar performance as Billy Beane, a General Manager who started out as a player who never reached his potential. He gives us not only insight into the professional life of Billy Beane, but the man himself. We learn he is divorced, involved in his daughter's life, and trying to remain civil with his ex's new partner. He has ideas that he can't support in the accepted method, but with his reputation, he has a lot of leeway with the owner, and when he discovers Phillip Brand (Jonah Hill), he sees a way to make the kind of team that has the potential to win a championship. Jonah Hill is excellent as Brand, developing his character from the fresh out of college statistician with little self confidence to the man who learns to accept the responsibilities of management. Phillip Seymour Hoffman is strong as Manager Art Howe, but I get the feeling there are missing scenes because we just don't get enough of him in the film. Kerris Dorsey is impressive in the role of Casey Beane, and also co-wrote the song “The Show” and performs it for us in a touching scene where Billy is buying his daughter a guitar. For baseball fans, this is a movie about a pivotal moment in baseball history. For Brad Pitt fans, this is a chance to see Brad in a role that doesn't involve spies, cons, wars, and explosions. For the rest of us, this is a film to watch and enjoy. Rated PG-13 for a few scenes with harsh language, I'd recommend it for the entire family. Collectible for sports fans and lovers of good “slice of life” films.

J. Edgar - 2011

Imagine Entertainment, Malpaso Productions, Wintergreen Productions

Directed by Clint Eastwood

Cast:

• J. Edgar Hoover – Leonardo DiCaprio
• Helen Gandy – Naomi Watts
• Anna Marie Hoover – Judi Dench
• Robert Kennedy – Jeffrey Donovan
• Clyde Tolson – Armie Hammer

Story:In this frank and sometimes dark expose, Clint Eastwood directs a formidable cast in the biography of John Edgar Hoover, the Director of the Federal Bureau of Investigation. For forty eight years, he was the undisputed power behind the power, the man who supposedly had files on everyone and knew everyone's secrets. This film explores the possible personal life and circumstances of the man, and shows J. Edgar Hoover as a man with many forces pulling on his life. He was a troubled man, to be sure, a man whose personal life was dominated by his mother, Anna Marie, and his sense of patriotism and commitment to making Americans safe. The film explores his relationships with his mother, his long-time assistant director and companion, Clyde Tolson, and his ever vigilant and loyal Secretary, Helen Gandy. Throughout the film, we are given glimpses of his actions which may or may not have been prompted by his sense of duty to the country, and we are ultimately left to decide for ourselves who J. Edgar Hoover really was.

Review: This film reveals not only the persona of J. Edgar, but of Clint Eastwood as well. As in all of his recent films, we are not offered a conclusion. We are instead given a set of facts, circumstances, and theories, and left to decide the matter for ourselves. The film itself is well presented and the cast is nothing short of formidable. Leonardo DiCaprio creates the impression of growth and personality, showing us the changes from Hoover's past and how they are influenced by his mother and his friends, which are few. The allusion of homosexuality is dealt with in a tasteful and sensitive manner, and again allows us to draw our own conclusions concerning his relationship with his assistant director and companion, Clyde Tolson. Armie Hammer plays his role with sensitivity and passion, as does Naomi Watts. As Helen Gandy, her obvious devotion to Hoover is clear. The remaining cast is incidental, although Jeffrey Donovan gives us another glimpse into his abilities with a flawless performance as Robert Kennedy. At the end, I am left with the impression that Hoover's life was sad and personally unfulfilled, but you'll have to see it yourself to draw your own conclusions. Rated R for subject matter and language, this film is collectible for lovers of Eastwood films, and anyone who enjoys a serious biography.