Why Movies?

Do you love movies?


When I was a kid, my brother and I used to go to the Saturday Morning Matinees to watch our favorite serial stars, like Commander Cody, Flash Gordon, heroes who always faced certain death at the end of the episode, and somehow always made it back the next week.

If there is a particular film you would like to see reviewed, or just one you would like to talk about, feel free to comment.
Thanks, Fred

Showing posts with label religion. Show all posts
Showing posts with label religion. Show all posts

Friday, April 6, 2012

The Prophecy: Forsaken - 2005

The Prophecy: Forsaken - 2005


Castel Film Romania, Dimension Films


Directed by Joel Soisson


Cast:


Story: Allison is living in Romania, protecting the book, when the angels come again to recover it so they can know the name of the antichrist and kill him before he begins Armageddon. This time an angel named Stark is using a hit man named Dylan to do his “wetwork”, but Dylan is one of the resurrected and slowly dying who is acting out of duress. When he meets Allison, he does everything he can to foil the angel's plan. Allison heads toward the only ally she has, Satan. But Satan has his own agenda and is not in the mood to protect her. The battle between the forces of good and evil continues, and soon Allison is revealed as the only weapon needed to foil the angel's quest.

Review: In this second and final episode of the Prophecy “homage”, all the confusion and blanks spots from “Uprising” are filled in. When you realize that both films were released in 2005, and went straight to video, you have to wonder if Soisson was doing all this to fluff up his resume. The first ten minutes are the same footage from the first film, so our next actions are “in media reas”, and Satan is once again walking to and fro about the earth, causing trouble. The cast now includes the excellent Jason Scott Lee as Dylan, the reluctant hit man trying to protect Kari Wuhrer, and the exceptional Tony Todd, an often underestimated character actor who shines in this performance. Overall, the film moves well, and the action is much smoother in this second installment. But one question comes to mind. If Allison is a Nephalim, why would she still have a scar on her cheek? In the third Prophecy film, the Nephalim was said to have spontaneous tissue regeneration, so the scar should have healed years ago. Okay, okay, I'm nit picking, but let's face it, if you can't point out the obvious errors, where is the fun in that? Rated R for violence, language and a semi amusing scene of nudity with a young lady whose film credits include ONE film...this one. Collectible? Hardly, unless you are a fanatic Prophecy fan.

Thursday, April 5, 2012

The Prophecy: Uprising

The Prophecy: Uprising


Dimension Films, Neo Art & Logic


Directed by Joel Soisson


Cast:


Story: In Eastern Europe, a priest has hidden an angelic bible deep in the mysterious room where only he can find it. This bible is not finished, but as the priest leafs open the pages, new words begin to form on the final pages. This is the completion of the book of Revelations, the book that will reveal the name of the Antichrist, the man who brings the earth to Armageddon. The priest dies a horrible death, and the book is given to Allison, who is the long lost half sister of Dani Simionescu, a policeman who steals from drug dealers to give the money to the church. John Reigert leads Dani on a quest to find Allison and reveal to her the truth of her nature. As always, the forces of heaven and hell are at odds with man over the outcome.

Review: While based on the original “Prophecy” movies, this fourth installment features new characters and an interesting plot twist. Unfortunately, the film opens slowly and does not give us the same introductions as the first three. You have to stay with the film through some pretty uninteresting footage for about 20 minutes before the story takes hold. Missing is the comic element of the original, as well as the appeal of Christopher Walken, who has personally saved more than 20 films simply by being in them. I offer as evidence Suicide Kings and The Rundown, to name just two. John Light does a very passable job as Satan, although that isn't revealed until late in the film, and Sean Pertwee presents well as the man attempting to atone for his sin of informing on his parents to the communists when he was a child. Kari Wuhrer is the character who will join us in the fifth film, and she does a fine job of preparing us for the character to come. Jason London as Simon is interesting, but lacks passion in his performance. Overall, this film is less than adequate to follow in the footsteps of the original trilogy, which is why it lacks the numeral sequence to identify it. Rated R for violence, disturbing images, and language, I don't see this as becoming collectible, even to fans of the original series. But if you liked the first three, you'll probably enjoy this new venture into the battles between angels.

Wednesday, April 4, 2012

The Prophecy 3: The Ascent - 2000

The Prophecy 3: The Ascent - 2000


Dimension Films


Directed by Patrick Lussier


Cast:


Story: The Nephalim is fully grown and preaching. Young Danyael, who was orphaned when Molotov cocktails were thrown through the window of his home, is preaching against God to the homeless and disenfranchised when a zealot in the crowd opens fire and shoots him. Gabriel, who is mortal, defends the young prophet, and takes steps to clear his path as he comes back from the dead. Maggie, his companion and mate, is disbelieving, but soon realizes Danyael is not merely a “talking monkey” like the rest of us. The rebellious angels, now led by Zophael, must prevent Danyael from defeating Pyriel, the angel who has been chosen to lead the human race into genocide. When Danyael travels to meet Pyriel, he meets Mary, the native American girl, who prophecies to him. As Gabriel travels to observe the battle, he stops in to the same roadside cafe as the first movie, and has a meeting with Madge, the waitress. In the end, Nephalim and Angel must battle for the future of mankind.

Review: This final chapter of the trilogy brings together all the unanswered questions of the first two films. Walken, Hytner, and, delightfully, Sandra Ellis Lafferty reprise their roles with amazing clarity. Walken is the mortal Gabriel who was cast to earth after the final scene in Prophecy 2, and he makes it apparent whose side he is on. By becoming one of the “talking monkeys”, he now understands the value of their existence and realizes he can no longer oppose God's plan. Dave Buzzota, in his premier performance, is intense and powerful as the Nephalim who soon discovers he has been “kicking against the pricks”. When his destiny is revealed, he throws himself into the role with such vehemence that you get caught up in his mission. The characters are consistent with the first two films, and the overall feel of the movie is enticing and thrilling. Rated R for violence, language, and some brief nudity, this is a good film for followers of modern horror and a must see for anyone who enjoyed the first two film. Collectible with the set, meaningless without the others.

Monday, April 2, 2012

The Prophecy - 1995

The Prophecy - 1995


First Look International, NEO Motion Pictures, Overseas FilmGroup


Written and Directed by Gregory Widen


Cast:


Story: A young man is about to become a priest. He prostrates himself before the cardinal, is prepared to say his vows, but suddenly a vision comes over him, a vision so bleak and full of despair, he cannot continue. Flash forward several years to this same young man, now a Los Angeles police officer, who is called to a murder scene normally off his shift. A man has been run over by a car in an alley and smashed into a wall. In the room the man has jumped, or was pushed, from, is a copy of a book written by Thomas Dagget, the police officer who wanted to be a priest. The coroner informs Dagget of some irregularities with the body. He has no, nor has ever had, eyes. His bones have no indication of growth. And in his possessions is a hand written Bible with an extra chapter that refers to a second war in heaven. Soon Dagget discovers he is caught in the crossfire in a war between angels over the right of man to be in heaven.

Review: After his incredible success with the Highlander franchise, Gregory Widen wrote and directed this incredible eerie tale of suspense and horror. The characters are crisp and fresh, and the cast depicts them with an eerie sense of reality. Elias Koteas is incredibly adept at his role, portraying the disillusioned Dagget with a humanity we can all associate with. Eric Stoltz is adept at his role as Simon, the angel from the forces loyal to God's will concerning man. Christopher Walken is the perfect Gabriel, smiling and deceptive, treating us “talking monkeys” with the same sort of casual disdain as one may treat a retarded child. Virginia Madsen plays the lone teacher for what remains of an abandoned mining town, and she portrays the role in such a manner as to have us believing she has taught school for years. While the remainder of the cast is proficient and talented in their roles, special mention has to be made of Viggo Mortensen as Lucifer. He delivers his lines with such precision of depth and directness, you can believe he is the devil incarnate. Rated R for violence, gore and language, this is truly a work of art. Collectible as the first in a series of five films, or by itself as just an incredible work of fiction and the imagination of Gregory Widen.

Sunday, February 19, 2012

Dogma - 1999

Dogma - 1999


View Askew Productions


Written and Directed by Kevin Smith


Cast:


Story: The Catholic church has come up with a new way to get people in the door: a massive new campaign called Catholicism WOW!, starring the new symbol of the church, the Buddy Christ. In order to kick off this campaign, they have come up with a special dispensation for all newcomers: you walk through the doors of the church and BINGO, all your sins are automatically forgiven! This is great news for Loki and Bartleby, two angels who have been kicked out of heaven and sentenced to Wisconsin, for if they can renounce their immortal status as angels and enter the church, they can die as men and return to heaven. If they do, they will have negated God's word, and they will unwittingly undo all of creation. To stop them from accomplishing their mission, Metatron, a special angel who acts as the voice of God, contacts Bethany, the last Scion, and charges her with a mission from God. She is aided on her mission by Jay and Silent Bob, and Rufus, the unnamed 13th apostle. Azrael, a demon from the hell, commands the Stygian Triplets, three demons who have already placed God in a coma. Will the demon succeed in helping the angels to enter the church and negate all of creation?

Review: Kevin Smith will be serving an eternity in hell for writing and directing this movie, and we will all be joining him for enjoying it. This young genius, the creator of Clerks, Mallrats, and the unnamed leader of counterculture has succeeded in making the perfect statement about the dogma of the Catholic church, and he has done it in a way sure to offend any devout Catholic. The rest of us, however, are free to laugh our asses off as we roll through all the irony, comedy, and sarcasm of the film. Linda Fiorentino is amazing as Bethany, and the woman deserves an Oscar in the category of “How in the world did you manage to keep a straight face in the midst of all that”. Having Jay and Silent Bob, the icons born of Kevin's previous films, as Bethany's protectors and prophets was nothing short of genuis (a word I tend to use a lot when I talk about Kevin Smith), and allows Kevin to reprise the role we all love so well. Salma Hayek plays Serendipity, the muse who fell to Earth, who can inspire everyone else except herself. Chris Rock, Ben Affleck, Matt Damon, and Jason Lee, all veterans born of Kevin's films, perform with perfection, making this an exceptional piece of satire, parody, comedy, and art all rolled into one. Definitely rated R for language, nudity, violence and general poor taste (by the Catholics, that is), this is one of those films to watch when the kids are in bed. Collectible for everyone except devout Catholics, who will probably do time in purgatory for even mentioning its name, let alone watching it.